There exists a sacred contract when one ventures into the woods, pitches a tent, and breathes deep the pine-scented air. It’s an unspoken pact, a fundamental understanding woven into the very fabric of camping: we escape the cacophony of the concrete jungle to find solace in the symphony of nature. The sighing wind through the trees, the rhythmic chuckle of a nearby stream, the distant cry of an owl, the crackle of your own campfire – these are the sounds we pay for, drive miles for, and yearn for. They are not, under any circumstances, to be replaced by the drunken, off-key caterwauling of someone massacring “Sweet Caroline” via a sputtering karaoke machine plugged into a generator. Yet, here we are. More and more frequently, the tranquil embrace of a campground is shattered by the tinny blare of backing tracks and the auditory assault of enthusiastic, but tragically untalented, amateur vocalists. It’s an epidemic of noise pollution disguised as “fun,” a selfish imposition that oblite...